26 November 2017
After David Alden took an abstract, stylised approach to his production of Les Huguenots at the Deutsche Oper last season, the French director Oliver Py’s take on Meyebeer’s next grand opéra, Le prophète, feels relatively straightforward. Admittedly he takes the action from 16th-century Germany – the prompt box was done up as a memorial stone to the historical figure the work was based on – and plonks it somewhere in the late 20th century.
[Read the full review at Bachtrack]
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